Friday the 13th (Extended Killer Cut)

• A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky

Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bo! ttom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpet! a) is pretty funny. You might even regret the slaughter of a c! ouple of these young folk, which is an unusual feeling in Friday-watching. The film's Jason is quite the athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? Th! e longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

Girl With a Pearl Earring

• Actors: Colin Firth, Scarlett Johansson, Tom Wilkinson, Judy Parfitt, Cillian Murphy.
• Format: Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
• Language: English. Subtitles: Spanish.
• Region: Region 1 (U.S. and Canada only).
• Rated PG-13. Run Time: 100 minutes.

Delft Holland 1665. seventeen-year-old Griet must work to support her family and becomes a maid in the house of Johannes Vermeer where she gradually attracts the master painter s attention. Johannes and Griet must hide their inspiration of each other from his volatile wife Catharine. The wealthy and troublemaking Master van Ruijven senses the intimacy between the artist and his maid and contrives a paintings ever created but at what cost?System Requirements: Running Time 100 MinFormat: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 012236155225 Manufacturer No: 15522You wouldn't think a movie could look like ! a Vermeer painting, but Girl with a Pearl Earring is filmed with an amazing range of luminous glows that evoke the Dutch artist's masterworks. Of course, it helps that much of the movie centers on Scarlett Johansson (Lost in Translation, Ghost World), whose creamy skin and full lips have a luminosity of their own. Johansson plays Griet, a maid in the household of Johannes Vermeer (Colin Firth, Bridget Jones' Diary, Fever Pitch), who finds herself in a web of jealousy, artistic inspiration, and social machinations. Though the pace is slow, Girl with a Pearl Earring genuinely conveys some sense of an artist's process, as well as offering many chaste yet sensual moments between Firth and Johansson. Also featuring Essie Davis as Vermeer's bitter wife and Tom Wilkinson (In the Bedroom) as a wealthy patron with eyes for Griet. --Bret Fetzer

Avatar (Three-Disc Extended Collector's Edition)

• Condition: New
• Format: DVD
• DVD; Special Extended Version; Color; Dolby; DTS Surround Sound; Dubbed; NTSC; Subtitled; Surround S

Please note: This edition of the film is not in 3D.

Versions of Avatar on Blu-ray, DVD, and Video On Demand

Edition	Format	Release Date	Special Features
Avatar (Extended Collector's Edition)	Three Blu-ray Discs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than ! eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition)	Three DVDs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatrical Edition)	Digital Purchase	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	Di! gital Rental	May 9, 2010	None
Avatar (Original Theatrical Edition)	Two-disc Blu-ray/ DVD combo	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	DVD	Apr. 22, 2010	None

Stills from Avatar (Click for larger image)

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KIDS FIRST! Review: Director/screenwriter/producer James Cameron brings his science fiction roots to DVD with the award-winning film, "Avatar." The almost three-hour epic is considered by many as the most beau! tiful movie ever produced thanks to its groundbreaking 3-D and! graphic s technology. Set in the far future, Jake Sully (Sam Worthington), travels to Pandora, a lush, jungle-covered extraterrestrial moon and home to a sentient humanoid race, the Na'vi. The 10-foot tall, blue-skinned Na'vi fight when a human corporation attempts to remove the indigenous people from their native lands. Human scientists create genetically-bred human-Na'vi hybrids known as Avatars to overcome the fact that they can’t breathe Pandora air. Jake participates in this program and encounters many dangers and beauties on Pandora as he scouts around. “Avatar” exhibits cinematographic and artistic excellence and creates interest in issues such as the environment. KIDS FIRST! Child Juror Comments: This DVD had great cinematography and amazing visual effects. One of my all-time favorite parts of the film was when Jake was walking through the forest of Pandora - everything lit up and looked amazing. The movie had a great soundtrack. It had a new age feel that felt like it! was inviting you into a new world. It made the whole thing seem tangible, which is great. I wanted to be part of that world. The acting was great, too! You could tell which characters were bad and which were good with some bad sides. Overall one of the best movies I've seen. The actors roles fit their appearance, and there was a lot of foreshadowing and hinting throughout the movie.After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native peo! ple who would very much like to live their peaceful lives with! out the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able ! to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

A reluctant hero. An epic journey. A choice between the life he left behind and the incredible new world he’s learned to call home. Return to James Cameron’s Avatarâ€" the greatest adventure of all time. Please note: This edition of the film is not in 3D.

Versions of Avatar on Blu-ray, DVD, and Video On Demand

Edition	Format!	Release Date	Special Features
Avatar (Extended Collector's Edition)	Three Blu-ray Discs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition)	Three DVDs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 min! utes of deleted scenes
Avatar (Original Theatrical Edition)	Digital Purchase	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	Digital Rental	May 9, 2010	None
Avatar (Original Theatrical Edition)	Two-disc Blu-ray/ DVD combo	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	DVD	Apr. 22, 2010	None

Stills from Avatar! (C lick for larger image)

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After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the plane! t and its inhabitants, Jake naturally begins to take a liking ! to the N a'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

Experience the spectacular world of James Cameron's Avatar as never before with this all-new three-disc extended collector’s edition. The journey begins with three movie versions: the original theatrical release, the special edition re-release, and the exclusive extended cut not shown in theaters. And that's just what's on the first Blu-ray disc. The set's bonus feature run more than eight hours and include over 45 minutes of deleted scenes; actor's screen tests; on-location footage; feature-length documentaries on the film's groundbreaking production; an interactive scen! e-deconstruction feature that lets you explore different level! s of pro duction for 17 scenes; a comprehensive guide to the world of Pandora; and more. The greatest adventure of all time just got bigger and better.

Here's what we had to say about the original theatrical edition of Avatar after seeing it on the big screen:

After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although h! e's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central pl! ot. (The overextended "take that, Michael Bay" final battle se! quences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

Versions of Avatar on Blu-ray and DVD

Edition	Format	Release Date	Special Features
Avatar (Extended Collector's Edition)	Three Blu-ray Discs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus ! features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition)	Three DVDs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatrical Edition)	Two-disc Blu-ray/ DVD combo	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	DVD	Apr. 22, 2010	None

Contents of the Blu-ray Extended Collector's Edition
What follows is the back-of-the box summary of the Blu-ray set's contents and then a complete listing of everything that's included.



Disc 1: Three Movie Versions

Original Theatrical Edition (includes family audio track with objectionable language removed)

Special Edition Re-Release (includes family audio track with objectionable language removed)

Collector’s Extended Cut with 16 additional minutes, including alternate opening on earth

Disc 2: Filmmaker's Journey

Over 45 minutes of never-before-seen deleted scenes

Capturing Avatar: Feature-length documentary covering the 16-year filmmakers’ journey, including interviews with James Cameron, Jon Landau, cast and crew

A Message from Pandora: James Cameron’s visit to the Amazon rainforest

The 2006 art reel: Original pitch of the Avatar ! vision

Brother termite test: Original motion capture t! est

The ILM prototype: Visual effects reel

Screen tests: Sam Worthington, Zoë Saldana

Zoë’s life cast: Makeup session footage

On-set footage as live-action filming begins

VFX progressions

Crew film: The Volume

Disc 3: Pandora's Box

Interactive scene deconstruction: Explore the stages of production of 17 different scenes through three viewing modes: capture level, template level, and final level with picture-in-picture reference

Production featurettes: Sculpting Avatar, Creating the Banshee, Creating the Thanator, The AMP Suit, Flying Vehicles, Na’vi Costumes, Speaking Na’vi, Pandora Flora, Stunts, Performance Capture, Virtual Camera, The 3D Fusion Camera, The Simul-Cam, Editing Avatar, Scoring Avatar, Sound Design, The Haka: The Spirit of New Zea! land

Avatar original script

Avatar screenplay by James Cameron

Pandorapedia: Comprehensive guide to Pandora

Lyrics from five songs by James Cameron

The art of Avatar: Over 1,850 images in 16 themed galleries (The World of Pandora, The Creatures, Pandora Flora, Pandora Bioluminescence, The Na’vi, The Avatars, Maquettes, Na’vi Weapons, Na’vi Props, Na’vi Musical Instruments, RDA Designs, Flying Vehicles, AMP Suit, Human Weapons, Land Vehicles, One-Sheet Concepts)

BD-Live Extras

BD-Live extras require a BD-Live-enabled player and an Internet connection. The following extras may be available a limited-time only and are subject to change over time: Crew Short: The Night Before Avatar; additional screen tests, including Stephen Lang,! Giovanni Ribisi, Joel David Moore, CCH Pounder, and Laz Alons! o; speak ing Na’vi rehearsal footage; Weta Workshop: walk-and-talk presentation

Experience the spectacular world of James Cameron's Avatar as never before with this all-new three-disc extended collector’s edition. The journey begins with three movie versions: the original theatrical release, the special edition re-release, and the exclusive extended cut not shown in theaters. The set's bonus feature run more than three hours and include over 45 minutes of deleted scenes and a feature-length documentary on the film's groundbreaking production. The greatest adventure of all time just got bigger and better.

Versions of Avatar on Blu-ray and DVD

Edition	Format	Release Date	Special Features
Avatar (Extended Collector's Edition)	Three Blu-ray Discs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition)	Three DVDs	Nov. 16, 201! 0	Three versions of the mov! ie inclu ding the previously unreleased extended cut, plus more than three hours of bonus features including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatrical Edition)	Two-disc Blu-ray/ DVD combo	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	DVD	Apr. 22, 2010	None

Contents of the DVD Extended Collector's Edition



Review of the Original Theatrical Edition
Here's what we had to say about the original theatrical edition of Avatar after seeing it on the big screen:

After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable abou! t greedy colonizers (that would be mankind) messing up the lus! h tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of i! ts point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert HortonHere's what we had to say about the original theatrical edition of Avatar after seeing it on the big screen:

After 12 years of thinking about it (and waiting for movie technology to catch up with his visions), James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to! trump all previous sci-fi epics. Set in the future on a dista! nt plane t, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn betw! een his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton

Versions of Avatar on Blu-ray and DVD

!

Edition	Format	Release Date	Special Features
Avatar (Extended Collector's Edition)	Three Blu-ray Discs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than eight hours of bonus features including over 45 minutes of deleted scenes, interactive scene deconstruction, Pandorapedia, documentaries and featurettes, and BD-LIVE content (requires compatible player and Internet connection)
Avatar (Extended Collector's Edition)	Three DVDs	Nov. 16, 2010	Three versions of the movie including the previously unreleased extended cut, plus more than three hours of bonus featur! es including documentaries and over 45 minutes of deleted scenes
Avatar (Original Theatrical Edition)	Two-disc Blu-ray/ DVD combo	Apr. 22, 2010	None
Avatar (Original Theatrical Edition)	DVD	Apr. 22, 2010	None

Cont ents of the Blu-ray Extended Collector's Edition
What follows is the back-of-the box summary of the Blu-ray set's contents and then a complete listing of everything that's included.



Disc 1: Three Movie Versions

Original Theatrical Edition (includes family audio track with objectionable language removed)

Special Edition Re-Release (includes family audio track with objectionable language removed)

Collector’s Extended Cut with 16 additional minutes, including alternate opening on earth

! Disc 2: Filmmaker's Journey

Over 45 minutes of never-before-seen deleted scenes

Capturing Avatar: Feature-length documentary covering the 16-year filmmakers’ journey, including interviews with James Cameron, Jon Landau, cast and crew

A Message from Pandora: James Cameron’s visit to the Amazon rainforest

The 2006 art reel: Original pitch of the Avatar vision

Brother termite test: Original motion capture test

The ILM prototype: Visual effects reel

Screen tests: Sam Worthington, Zoë Saldana

Zoë’s life cast: Makeup session footage

On-set footage as live-action filming begins

VFX progressions

Crew film: The Volume

Disc 3: Pandora's Box

Interactive scene deconstruction: Explore the stages of production of 17 different scenes through three viewing modes: capture level, template l! evel, and final level with picture-in-picture reference

!

Prod uction featurettes: Sculpting Avatar, Creating the Banshee, Creating the Thanator, The AMP Suit, Flying Vehicles, Na’vi Costumes, Speaking Na’vi, Pandora Flora, Stunts, Performance Capture, Virtual Camera, The 3D Fusion Camera, The Simul-Cam, Editing Avatar, Scoring Avatar, Sound Design, The Haka: The Spirit of New Zealand

Avatar original script

Avatar screenplay by James Cameron

Pandorapedia: Comprehensive guide to Pandora

Lyrics from five songs by James Cameron

The art of Avatar: Over 1,850 images in 16 themed galleries (The World of Pandora, The Creatures, Pandora Flora, Pandora Bioluminescence, The Na’vi, The Avatars, Maquettes, Na’vi Weapons, Na’vi Props, Na’vi Musical Instruments, RDA Designs, ! Flying Vehicles, AMP Suit, Human Weapons, Land Vehicles, One-Sheet Concepts)

BD-Live Extras

BD-Live extras require a BD-Live-enabled player and an Internet connection. The following extras may be available a limited-time only and are subject to change over time: Crew Short: The Night Before Avatar; additional screen tests, including Stephen Lang, Giovanni Ribisi, Joel David Moore, CCH Pounder, and Laz Alonso; speaking Na’vi rehearsal footage; Weta Workshop: walk-and-talk presentation

Blackballed: The Bobby Dukes Story

• Paintball s first superstar, Bobby Dukes (Rob Corddry of "The Daily Show"), and his team the River Rats were competing for their fourth "Classic" victory when disaster struck. Bobby, attempting one of his signature moves, was shot. Desperate to stay in the game, Bobby intentionally wiped the paint from his jersey, thus committing paintball s most heinous crime, "wiping." The three-time champ was b

Paintball’s first superstar, Bobby Dukes (Rob Corddry of "The Daily Show"), and his team the River Rats were competing for their fourth "Classic" victory when disaster struck. Bobby, attempting one of his signature moves, was shot. Desperate to stay in the game, Bobby intentionally wiped the paint from his jersey, thus committing paintball’s most heinous crime, "wiping." The three-time champ was banned from the game for ten years and became the laughing stock of the paintball community. Deeme! d a cheater, disgraced and humiliated, Bobby disappeared.

Ten years later an older and wiser Bobby returns to reclaim his title and erase the memory of his tainted past. On the verge of giving up hope, Bobby joins forces with the most unlikely of allies; the referee that caught him cheating. Now, the two improbable partners must recruit a team of paintball misfits and take back the Hudson Valley Paintball Classic.

SPECIAL FEATURES:

•Cast commentary with Rob Corddry, Paul Scheer, Rob Riggle

•Commentary with Filmmakers

•Outtakes & Deleted Scenes

•"Around The World With Bobby Dukes" Featurette

2004 FILM FESTIVAL AWARDS:

•Lake Placid Film Festival â€" Special Jury Prize

•Oxford Film Festival â€" Best Feature & Audience Award

•SXSW Film Festival â€" Audience Award

BAD NEWS BEARS

• 1976 - Dell - 1st edition - Paperback
• The Bad News Bears - By Richard Woodley
• Stars: Walter Matthau, Tatum O'Neal
• Movie Tie In - Vg to Good Condition
• Collectible

In 1977, The Bad News Bears in Breaking Training had a moment in the sun. A glowing junk sculpture of American genres—sports flick, coming-of-age story, family melodrama, after-school special, road narrative—the film cashed in on the previous year’s success of its predecessor, The Bad News Bears. Arguing against the sequel’s dismissal as a cultural afterthought, Josh Wilker lovingly rescues from the oblivion of cinema history a quintessential expression of American resilience and joy.

Rushed into theaters by Paramount when the beleaguered film industry was suffering from Â"acute sequelitis,” the (undeniably flawed) movie miraculously transcended its limitations to beco! me a gathering point for heroic imagery drawn from American mythology. Considered in context, the film’s unreasonable optimism, rooted in its characters’ sincere desire to keep playing, is a powerful response to the political, economic, and social stresses of the late 1970s.

To Wilker’s surprise, despite repeated viewings, The Bad News Bears in Breaking Training continues to move him. Its huge heart makes it not only the ultimate fantasy of the baseball-obsessed American boy, but a memorable iteration of that barbed vision of pure sunshine itself, the American dream.

First of a trilogy of films takes an unflinching look at the underbelly of little league baseball in Southern California. Former minor leaguer Morris Buttermaker is a lazy, beer swilling swimming pool cleaner who takes money to coach the Bears, a bunch of disheveled misfits who have virtually no baseball talent. Realizing his dilemma, Coach Buttermaker brings aboard girl pitching ac! e Amanda Whurlizer, the daughter of a former girlfriend, and K! elly Lea k, a motorcycle punk who happens to be the best player around. Brimming with confidence, the Bears look to sweep into the championship game and avenge an earlier loss to their nemesis, the Yankees.This likable 1976 comedy gently skewers the whole post- Rocky mania for movies about losers who find their mettle or salvation or purpose in life in competitive sport. Walter Matthau stars as a drunk who becomes manager of a pathetic little-league baseball team. When he brings in a talented girl pitcher (Tatum O'Neal), the crew have an actual chance at winning some games and maybe a championship. But director Michael Ritchie (Downhill Racer) undercuts the romance of it all with the team's foul-mouthed tendencies and Matthau's own decadent spin on mentor-coachdom. Similarly to Ritchie's wicked comedy Smile --which lampooned the fervor surrounding beauty pageants--The Bad News Bears pokes fun at another American institution. --Tom Keogh1976 - 1st! Edition - Dell - 0823 - Paperback - The Bad News Bears - By Richard Woodley - Based on screenplay by Bill Lancaster - Movie Tie In - Paramount - Stars: Walter Matthau, Tatum O'Neal - Vg to Good Condition - Collectible

Cashback

• Art student Ben Willis develops insomnia after going through a painful break-up. To kill time, he joins a colorful cast of characters on the late shift at the local supermarket. They all have their own time-killing devices, and Ben s allows him to see the beauty of the everyday world including the people inside it especially Sharon, the quiet checkout girl, who just may hold the answer to resolvin

Art student Ben Willis develops insomnia after going through a painful break-up. To kill time he joins a colorful cast of characters on the late shift at the local supermarket. They all have their own time-killing devices and Ben s allows him to see the beauty of the everyday world including the people inside it especially Sharon the quiet checkout girl who just may hold the answer to resolving Ben s insomnia. System Requirements:Running Time: 102 minsFormat: DVD MOVIE Genre: COMEDY Rating: NR U! PC: 876964000925 Manufacturer No: 10092A slight but likable British comedy-fantasy with a touch of naughtiness, Cashback is an expanded version of director Sean Ellis' Oscar-nominated short film of the same name about a bored supermarket clerk who discovers that he has the ability to stop time. Sean Biggerstaff (from the Harry Potter franchise) is Ben, a lovelorn young man whose chronic insomnia (due to a bad breakup) forces him to bury himself in pointless and repetitive work at a local grocery store. Once there, boredom causes him to believe that he can stop time, and he enjoys long and languid fantasies about undressing and sketching the female shoppers. But reality intrudes in the form of recollections of his troubled past, as well as the lovely presence of fellow clerk Sharon (Emilia Fox), who offers the promise of love in the real world. A gentle and artfully directed independent film, Cashback doesn't run very deep in terms of emotion, but the ! special effects are clever, the cast quirky and amusing, and i! ts premi se is an appealing mix of softcore reverie and boyish longing. - Paul Gaita

"What's Happening to Me?" A Guide to Puberty

• ISBN13: 9780818403125
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The bestselling guides for preteens and teens updated with a brand-new look.

The Madaras growing-up guides are acknowledged by parents, educators, librarians, and doctors for their unique, nonthreatening style, excellent organization, and thorough coverage of both the physical and emotional issues surrounding puberty and adolescence. And kids love them too! As one fan wrote, "Dear Lynda, I can't believe that you, a mom, knew all this stuff!"

"What's Happening to My Body?" for Girls features detailed coverage, in age-appropriate language, of the body's changing size and shape, the growth spurt, the reproductive organs, the menstrual cycle, romantic and sexual feelings, pubert! y in the opposite sex, and much more. Includes a comprehensive resource section and line drawings. For ages 10 and up.

The new editions feature:
• Fresh new cover design for series
• Entirely redesigned interiors with new illustrations
• Uniform trim sizes for display
• New author introductions
• Updated resource sections and content
• 50 black-and-white drawings"I kept wanting it to happen. When it did I remember thinking, 'It's about time.'"

"I was worried at first. Then it really wasn't so bad after all."

"I remember my brothers weren't allowed to hit me in the chest anymore. I was kind of pleased about that."

What mysterious condition are these now grown-up girls talking about? Ah, yes, puberty! With scads of personal stories and an abundance of useful, detailed information about girls' changing bodies and feelings, author Lynda Madaras and her daughter Area Madaras have expanded their guide for gir! ls on the verge of change. First published in 1983, the best! selling classic has been revised and updated several times over the years to keep up with ever evolving facts and wisdom about puberty in girls. In this third edition, the authors continue their straight talk on the menstrual cycle, reproductive organs, breasts, emotional changes, puberty in boys, body hair, pimples, masturbation, and all the other fun, scary, and interesting things that go along with growing up. Filled with anecdotes, illustrations, diagrams, and honest, sensitive, nonjudgmental information for the young girl, the revised edition also addresses the new scientific facts about when a girl actually begins puberty (earlier than previously thought), advice on "female athletic syndrome," eating disorders, unwanted attention because of early development, and information on eating right, exercise, AIDS, STDs, birth control, and so much more. A welcome, reassuring book for parents and daughters, designed with the understanding that some girls and p! arents will want to read it together, and some will want to read it on their own; without a doubt, though, all will benefit. Got boys? Don't miss What's Happening to My Body? Book for Boys. (Ages 8 to 15) --Emilie CoulterThe bestselling guides for preteens and teens updated with a brand-new look.

The Madaras growing-up guides are acknowledged by parents, educators, librarians, and doctors for their unique, nonthreatening style, excellent organization, and thorough coverage of both the physical and emotional issues surrounding puberty and adolescence. And kids love them too! As one fan wrote, "Dear Lynda, I can't believe that you, a mom, knew all this stuff!"

"What's Happening to My Body?" for Boys features detailed coverage, in age-appropriate language, of the body's changing size and shape, the growth spurt, the reproductive organs, voice changes, romantic and sexual feelings, puberty in the opposite sex, and much more! . Includes a comprehensive resource section and line drawings.! For age s 10 and up.

The new editions feature:
• Fresh new cover design for series
• Entirely redesigned interiors with new illustrations
• Uniform trim sizes for display
• New author introductions
• Updated resource sections and content
• 48 black-and-white drawingsDiscusses the mental and physical changes that take place during puberty.

Investigating History - Butch Cassidy & the Sundance Kid (History Channel)

• The last bandit riders, Butch Cassidy and the Sundance Kid were America's most famous outlaws in 1900. Cassidy and his Wild Bunch robbed banks and trains along an outlaw trail from Wyoming to Colorado to Southern Utah. But with Pinkerton detectives pursuing, Butch and Sundance fled to South America. Trapped by Bolivian officers, they died in a bloody gunfight. Or did they? Was Butch reborn as

Paul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways to get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and lif! e is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written! by William Goldman (The Princess Bride) and directed b! y George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghPaul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways to get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that! Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and life is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe f! or the picking all over the world. Robert Redford is his more ! levelhea ded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghPaul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways t! o get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and life is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul New! man plays the legendary outlaw Butch Cassidy as an eternal opt! imist an d self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghStudio: Tcfhe Release Date: 05/10/2011 Rating: Pg13This 1969 film has never lost its popularity or its unusual ! appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautnes! s, and the chemistry between Redford and Newman is rare. (A fa! ctoid: N ewman first offered the Sundance part to Jack Lemmon.) --Tom KeoghThis 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tr! icks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghThe last bandit riders, Butch Cassidy and the Sundance Kid were America's most famous outlaws in 1900. Cassidy and his Wild Bunch robbed banks and trains along an outlaw trail from Wyoming to Colorado to Southern Utah. But with Pinkerton detectives pursuing, Butch and Sundance fled to South America. Trapped by Bolivian officers, they died in a bloody gunfight. Or did they? Was Butch reborn as William T. Phillips in Spokane 20 years later? Did the West's last badman escape the law in the end?

The End of Days: Armageddon and Prophecies of the Return (The Earth Chronicles)

• ISBN13: 9780061239212
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

WHEN A BURNED-OUT FORMER NEW YORK CITY COP NAMED JERICHO THWARTSA HIT ON A MYSTERIOUS AND FOREBODING STRANGER, ALL HELL BREAKSLOOSE. WHILE INVESTIGATING THE CRIME, HE FINDS HIMSELF THERELUCTANT SAVIOUR OF THE BEAUTIFUL AND TERRIFIED CHRISTINE YORK,WHOSE DESTINY INVOLVES DEATH, THE DEVIL AND THE FATE OF MANKIND.After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the big screen in November 1999 with End of Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatica! n when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of Days is a loud, aggravating movie that would be entertaining if it were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impac! t. You're left instead to savor the verbal and physical sparri! ng betwe en Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff ShannonAll hell breaks loose when Arnold Schwarzenegger battles the ultimate evil in this chilling supernatural action thriller. When Jericho (Schwarzenegger), a burned-out former New York City cop is assigned to security detail for a mysterious stranger (Gabriel Byrne), he thwarts an incredible assassination attempt. During the ensuing investigation, he and his partner (Kevin Pollak) save the life of the beautiful and terrified Christine York (Robin Tunney), whose destiny involves death, the devil and the fate of mankind. Now it's up to Jericho to save the girl, the world and his own soul as he comes face to face with his most powerful enemy ever!After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the ! big screen in November 1999 with End of Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatican when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of! Days is a loud, aggravating movie that would be entertain! ing if i t were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impact. You're left instead to savor the verbal and physical sparring between Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff Shannon

Lydia Lozen Magruderâ€"the great-granddaughter of a female Apache war-shamanâ€"has seen visions of the End since childhood. She has constructed a massive ranch-fortress in the American Southwest, stocked with everything necessary to rebuild civilization.

Now her visions are coming true. John Stone, once a baseball star and now a famous gonzo journalist, stumbled across a plan to blast humanity back to the stone age. Then he vanished. Lydiaâ€! ™s only hope of tracking him down lies with her stubborn, globe-trotting daughter, Kate, Stone’s former lover.

Kate is about to step right into the plotters’ crosshairs. Stone has been captured by a pair of twin Middle Eastern princesses, hell-bent on torturing him until he reveals all he knows.

Meanwhile, a Russian general obsessed with nuclear Armageddon has also disappeared...as have eight or more of his Russian subs, armed with nuclear-tipped missiles.

The world is armed for self-destruction.

Who will survive?

END OF DAYS All hell breaks loose when ARNOLD SCHWARZENEGGER battles the ultimate evil in this chilling supernatural action thriller. When Jericho (Schwarzenegger), a burned-out former New York City cop, is assigned to security detail for a mysterious stranger (GABRIEL BYRNE), he thwarts an incredible assassination attempt. During the ensuing investigation, he and his partner (KEVIN POLLAK) save the life of the beautiful an! d terrified Christine York (ROBIN TUNNEY), whose destiny invol! ves deat h, the devil and the fate of mankind. Now it's up to Jericho to save the girl, the world and his own soul as he comes face to face with his most powerful enemy ever! VIRUS Jamie Lee Curtis (Halloween, True Lies) plays the navigator of a tugboat crew that loses its cargo during a hurricane. In the calm eye of the storm, they come across a Russian research ship floating dead in the water. Boarding the vessel, they initially believe it to be deserted - but they soon realize they're not alone. First they discover a terrified survivor (Joanna Pacula, Tombstone); then they find that the ship has been taken over by a ruthless alien intelligence. Now the small band must fight for their lives against a force that has come to claim Earth for its own, and creates bio-mechanical monstrosities with one goal: eliminating the virus called humans.After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the big screen in November 1999 with End o! f Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatican when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of Days is a loud, aggravating movie th! at would be entertaining if it were intended as comedy. But Sc! hwarzene gger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impact. You're left instead to savor the verbal and physical sparring between Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff Shannon

Why is it that our current twenty-first century A.D. is so similar to the twenty-first century B.C.?
Is history destined to repeat itself? Will biblical prophecies come true, and if so, when?

It has been more than three decades since Zecharia Sitchin's trailblazing book The 12th Planet brought to life the Sumerian civilization and its record of the Anunnakiâ€"the extraterrestrials who fashioned man and gave mankind civilization and religion. In ! this new volume, Sitchin shows that the End is anchored in the events of the Beginning, and once you learn of this Beginning, it is possible to foretell the Future.

In The End of Days, a masterwork that required thirty years of additional research, Sitchin presents compelling new evidence that the Past is the Futureâ€"that mankind and its planet Earth are subject to a predetermined cyclical Celestial Time.

In an age when religious fanaticism and a clash of civilizations raise the specter of a nuclear Armageddon, Zecharia Sitchin shatters perceptions and uses history to reveal what is to come at The End of Days.